Ancient and Modern Egypt

Egyptologists have had a worrisome start to 2011. It’s hard to feel sorry for the undemocratic Mubarak regime that was overthrown last month, but sudden and chaotic political change has had unfortunate side effects. The Egyptian army protected the country’s historic sites for the first ten days of the uprising, and then shifted their focus to other priorities. This left the Tourist Police and unarmed security guards with the job of protecting all those sites, which has sadly been a logistical impossibility. Robbers have been able to steal priceless artefacts including statues of Tutankhamen from the Egyptian Museum. Tombs have been destroyed. Storage warehouses containing antiquities have been looted.

Another unexpected turn of events was the resignation this week of Dr. Zahi Hawass, a government minister who has been in charge of the Giza Plateau for almost 20 years. When I started writing The Sphinx Scrolls I quickly learned that Dr. Hawass controlled all archaeological digs and research at the pyramids and the Sphinx. He seemed to be strongly patriotic, and would usually refuse permits for any ‘New Age’ inspired excavations that might find signs that these great monuments were not built by Egyptian Pharaohs. In particular, the search for a possible ‘Hall of Records’ at the Sphinx, has made slow progress.

Since the existence of such a repository of ancient knowledge is key to my novel, I’ve had mixed feelings about the difficulties researchers have had in trying to establish whether such a thing exists. On the one hand, it would be fascinating if permission would be granted to excavate the fissures and chambers that ground penetrating radar surveys have identified close to and under the Sphinx. On the other hand, it might take away some of the magic of my novel if a time capsule of lost knowledge were discovered. After all, the Nag Hammadi Library was found in a mostly legible state after almost two millennia, so it’s possible for properly sealed texts to survive far longer in the dry conditions of the Giza Plateau. On balance, of course, I’d be delighted if the chambers could be opened up and investigated, and for any long hidden knowledge to be discovered.

If the exit of Dr. Hawass results in a more liberal replacement in that role, and if that opens the way for archaeological digs that have hitherto been refused, and if those digs actually find something unexpected about the history of humanity (and that’s a lot of ifs…), then I’d have to rewrite the end of my novel. Might take me a few months, but it’s not that big a deal. I won’t mind. It’s far harder for humanity to rediscover the wisdom it may once have possessed. If our ancestors took the trouble to write some advice for us and put it in a very safe place, I think we should take the trouble to find it and read it. And that, in a nutshell, is what my book is about.

Let the next draft begin...

Right. It’s been almost two weeks since I completed the previous draft of The Sphinx Scrolls, and I thought it was time to review my progress since then. Well that won’t take long, because there hasn’t been any. But I know from experience that each draft starts slowly and gathers momentum, and I’m at that daunting place I was at three months ago when I started the previous one.

During the last rewrite I kept a parallel Word document open as a ‘scratchpad’ for notes, ideas, and deleted passages that I might want to re-use sometime. That document in itself consists of over 3,000 words, so my first task was to sort the notes into categories: character notes, plot ideas, deleted text, general notes about sections that need improvement, research notes about Sphinx archaeology, ideas for a new ending and even notes about how I could take these characters into a sequel. So that’s given me a rough framework to guide the next draft. I thinking of picking some of the easier notes first and making sure the issues they raise are fully resolved before deleting them from the scratchpad document and moving onto the next one.

There’s a risk that I might make changes to the novel by following one suggestion from my notes only to find that those changes are then negated by following a later note. For example, one of my minor characters is rather too similar to a real, well known Egyptologist. When I first put this character into the story it was 1997 and no one had really heard of the person he was based on. But since then he’s become famous, in the D-list sense at least, and I need to make my character far more differentiated. Today I decided to change the sex and the age of the character, which will open up new opportunities to develop that person in an original way, and will require partial rewrites of a couple of chapters. However, I have to accept the risk that I might change part of the plot afterwards, and may end up deleting or changing again the lines that I’ve recently written. But hey, that’s novel writing. In fact, that’s all kinds of writing. You have to keep on rewriting until it’s right.

So with this great task still ahead of me I’ve spent the days since my return from Brazil last week catching up with e-mails to the point where my inbox is joyously empty. I love that feeling. I spent much of my online time in Brazil unsubscribing from just about every commercial e-mail that I received. I must have unsubscribed to almost a hundred e-mail alerts, services, newsletters and promotions, and that is finally helping to reduce the flow of timewasting and distracting messages to my inbox. Somehow an empty inbox gives me a clear head, and a clear head provides the space I need for my brain to focus once more on the creative process.

Let the next draft begin…